I developed it during I was a student in the thirth or fourth semester. The incentive was the signature of Henri de Toulouse-Lautrec. His
sign annoyed me, for it’s badly readable, ambiguous and it permits misinterpretations.
Henceforth I signed my works with the new logo. Also I use it as my letterhead.
Immediately, for my colleagues and friends it was a decisive success.
Foreign artists made variations and hommages about it.
You see it here as an animation consisting of twelve parts.